#and that's it for my ten cents

[poppypirate]

Oppenheimer. Folks, Oppenheimer. Wow. Just... wow. I saw the film last night, and I'm still reeling from the after-effects. It's going to be hard getting this out of my system, but I'm going to try.

1) The screen. I know the whole movie's shot in IMAX or whatever (I'm sorry I'm not good with the technical terms) and that the best cinematic experience would be in an IMAX theatre - but I know so many people who are waiting on IMAX 2D seats because of the exorbitant ticket prices. The price of an IMAX 2D ticket at cinema halls in my area are literally 3-4 times the price of an average ticket. It's kind of ridiculous. It's honestly okay to watch the film on any screen; in my opinion, in no way does it ruin the experience.

2) Cillian Murphy. I honestly don't know what to say. Just... him. His look and acting is absolutely phenomenal. He was perfect as the man. And not to mention,,, he's so hot. All the nude shots were a pleasure. <3

3) THE CINEMATOGRAPHY. Oppenheimer's most vulnerable shots, the most visceral imaginings of his mind, were shot in the most amazing ways possible. People blurring in Oppenheimer's gaze? The terrifying blank silences? Some shots of this kind gave a very very real impression of what anxiety feels like to me, and in this regard, the film made me feel very... seen. The screen trembling when he had to give uncomfortable answers? The rapid staccato beats when he got anxious? I'm not presuming what Oppenheimer's issues were, but for me, the projection of anxiety was very real, and made me almost tear up.

4) The writing, the "bigger picture" plotline, the dialogue and wordplay - it was all just pure, pure genius. It was a literal, breathtaking masterpiece.

5) I wish more people could understand the film. All of humankind deserves access to this kind of conversation, and it made me sad that so many people couldn't understand or relate to what was happening in the film, and retreated to their phones. It's such an important story to be told; it's a pity it isn't more approachable.

[jayjay667]

[cyber-corp]

I think adulthood should also be about not being weirdly insulted when someone says “I’ve never heard of [blank]” and more about enthusiastically going “Oh really? Let me tell you a little about it :)” and then moving on

[the-starfleet]

For the doodle requests, Ten Cents and Zorran yelling at Bluenose but it’s the lady yelling at cat meme?

“YA NEARLY KILLED A KID, YA NAVAL TWIT!!”

“ :O”

[savs-avvy]

t t ten cents

[kindest-little-fella-in-town]

making art of gay tugboats? call that SHIPPING!!! (badum-tssshhhh)

[aryartzs-ttte]

🤔

[bruhstation]

who here loves divorce? I do. here's captain star and captain zero: two people who can't help but drag other unwilling people into their huge mess! including the youth. can't forget the youth

(bit of ramble in the tags)

[6lovelytenders]

Happy 35th Birthday TUGS!!!!!

I was going to do a more serious drawing to celebrate, but this was all my brain could come up with lol

[deliciouskeys]

Some people really hate piecharts

[caseofthea]

Also jetzt wo das Geld weg ist und diese Folge niemand entführt wurde wäre vom Wissensstand des Zuschauers eine Entführung von Leo nicht nötig.

Aber: Boris weiß nicht, dass das Geld weg ist.

Also was wenn in Ende der Nacht, nachdem alle denken, dass die Gefahren von Adams und Leos Vergangenheit gebannt sind, Boris auftaucht und Leo entführt, weil er denkt Adam hat das Geld noch.

Das würde zu einer Eskalation führen, die nicht gelöst werden könnte indem Adam einfach das Geld abgibt oder auf eigene Faust losgeht. So wie ich das sehe wäre er gezwungen Pia und Esther die ganze Sache zu erzählen, mindestens nachdem Leo in Sicherheit ist, aber durchaus auch vorher (hey eine tolle Gelegenheit sein Anti-Soziales traumabedingtes Verhalten aus dem Schrank zu holen).

Das wäre eine Eskalation sein, die eine Auflösung hätte, die sinnvoll ans Endziel der Serie kommen würde, nämlich, dass alle losen Enden der Vergangenheit von Adam und Leo verknüpft werden, alle Karten offen auf dem Tisch liegen mit Pia und Esther, damit die Logistik mit den ganzen Straftaten abgeschlossen ist, und Leo und Adam könnten emotional mit der Vergangenheit abschließen, heilen und sich versöhnen und von da aus könnten die beiden dann tatsächlich canon werden, weil es in der Geschichte für die Charaktere dann tatsächlich Sinn machen würde.

Und wenn sie nicht canon werden, dann ist ihre Beziehung am Ende der Serie trotzdem gestärkt und auf besserem Verständnis und Vertrauen aufgebaut (was ganz ehrlich das Ziel der Storyline ist, sonst würde nicht so ein Fokus darauf liegen wie sich der eine fühlt wenn der andere Scheiße baut oder sonst irgendwas tut)

[jayjay667]

[biggsodorcitystories]

He's such a silly little guy! I really like your Zip design! Keep on keeping on!

OMG!!! 😍🤩😍🤩😍

You drew my loveable dumbass!!!!!! Thank you so much❣️ ❤️❤️❤️❤️

It means so much that you love my Zip design - it's one of my favourites out of the humanised characters I have drawn so far. You make him look so adorable, and I love the little interaction you drew between him and Zorran 🥰

And poor Ten Cents...it's not your fault that you don't have the bits Zip likes! XD

This has made me so happy!

[the-starfleet]

you know what?

worm-on-a-strings your boats

[13o7billionyearsinthemaking]

Isle of Engines Part 20

v readmore in reblogs threads v

[thisisadriana4evertugsfan]